The Slow Introduction Alternating Between Long And Short Notes Followed By A Fast Section. Whats interesting about the fast sections is that with the strings playing an ascending passage in 32nd notes this gives the false impression that the piece is now fast. Motif a being the first 4 note legato motif.
Slow Introduction Bars 163 The wind section starts with triplet-dominant notes followed by a chromatic scale leading into a C minor chord. Another name for an ostinato in the bass part Opera seria. Followed by a fast section employing imitation Ground bass.
This slow introduction then leads into alternating fast and slow sections.
Between different instruments and heard as an inverted pedal for three bars in the violin. This means that there is a main theme which recurs throughout played by the full ensemble interrupted by contrasting solo material. And d being the descending four note fall following thatThe rise of a fifth between b and c gives link back to the slow intro where it does the same in the first two bars the appoggiatura in c also links back to the many seen in the. What follows is a full executive summary of Daniel Kahnemans Thinking Fast and Slow.